VR in the classroom- conceptualising and planning VR

I’ve recently been doing some more traditional research, including writing a chapter for the forthcoming Palgrave Handbook of Screen Production, Editors: Batty, C., Berry, M., Dooley, K., Frankham, B., Kerrigan, S. (Eds.) . In it I explore the challenges faced by educators incorporating immersive VR contents into screen media teaching, and share a visual and conceptual methodology I’ve developed for the early stages of planning and conceptualising VR that I’ve been using with students. Forthcoming in Nov 2019. https://www.palgrave.com/gp/book/9783030217433 .

I’m also looking forward to a Visiting Scholarship with Prof Dene Grigar at Washington State University Vancouver in late 2019, to learn more about the incredible Electronic Literature Media Archaeology Lab at WSUV, and participate in the Pathfinders project via a traversal of my early interactive narrative work/s.

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The Quintessence

The Quintessence (alternate title Dark Matters) is a proposed multiplatform artwork exploring the enigmatic cosmological phenomena of dark energy and dark matter, the efforts to understand it, and the ways in which the universe continues to fascinate, confound and surprise us. Designed as a multiplatform exhibition for two NSW art galleries – one regional, one metro – using augmented reality (AR), virtual reality (VR), location-based and gallery installation elements, the project takes as its starting point the scientific revival of the alchemical term ‘quintessence’ – medieval philosophy’s enigmatic ‘fifth element’ – to explore the intriguing phenomena of dark energy and dark matter, through integrating artistic, speculative and factual contents in unexpected ways. What exactly are these ‘dark’ phenomena, comprising such large components of the universe? Can they be seen as a metaphor for the unknowable and enigmatic nature of space, time and existence? As science upends our understanding of the cosmos, the universe becomes mysterious again.

The Quintessence will traverse and poetically engage with artistic, speculative and factual contents concerning dark energy and dark matter. It will explore potentials for combining AR and VR contents with informative, playful, embodied and located experiences to engage audiences and activate locations using a combination of familiar, accessible devices – their own mobile phones – as well as emerging technologies and devices, fostering unique cultural experiences for regional and metro audiences.

As contemporary research in astrophysics speculates on the nature of dark energy and its fundamental but mysterious role in the composition and expansion of the universe, scientists have revived the alchemical term, ‘quintessence’ to describe a hypothetical component influencing the evolution of the universe (Steinhardt 2003). This intriguing relationship between contemporary astrophysics and medieval alchemy is the starting point for The Quintessence, which teases out these hidden connections, exploring the enigmas in the world – and the ether – that surrounds us. Further information can be found at the dedicated Quintessence site.

 

 

 

 

 

 

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Dark matters

Had a fascinating meeting in December with the very inspiring Professor Tamara Davis, who heads the Dark Matter/ Dark Energy ARC CAASTRO research project. Tamara generously shared her time and insights, and directed me to some fantastic urls and visualisations regarding the mapping of the southern sky and the dark universe. Also made contact with Dr. Angel R. Lopez-Sanchez, Astronomy Research Fellow & Science Communicator at Siding Springs Observatory, who has created some rather wonderful timelapse images as seen below. Hope to be in further contact with these two – and other astrophysicist researchers –  for a proposed forthcoming creative work around dark energy and dark matter in 2018/ 2019. { Angel’s image via http://oldweb.aao.gov.au/local/www/alopez/timelapse_The_Sky_over_SSO.html }

Circumpolar star traces over Siding Springs © Á.R.L-S.

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Future Text keynote, Nov 24 2017

Key slides from my keynote talk – Future Text: glimpsing narrative futures through the history of digital writing – on electronic / digital narrative that I delivered for the annual NSW English Teachers Association Conference, UNSW Nov 24, 2017.
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The Alchemist’s Guide to the City- Porto app prototype

The Alchemist’s Guide to the City is a walked experience exploring alchemy as an engagement with the nature of the cosmos, and where the speculative notions of the medieval alchemist/philosophers are used as a filter for the contemporary world. Explore the city through the eyes of the alchemists, and discover the enigmas present in the world – and the ether – that surrounds us.

An experimental, prototype version of this work was presented at ELO 2017 in Porto, Portugal in July 2017, crafted specifically for the Mosteiro de São Bento da Vitória and its surrounding streets. The building- previously a Benedictine monastery- is on the Rua de São Bento da Vitória. Selected app screens below.

 

 

 

 

 

 

 

 

 

 

 

 

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For info on Notes for Walking

For information on Notes for Walking locative narrative/ AR augmented reality app, please visit http://www.creativecultural.com/meganheyward/?page_id=667  and http://www.creativecultural.com/notesforwalking/

Notes for Walking, Megan Heyward, 2013.
Notes for Walking locative artwork and AR app by Megan Heyward. Sydney Festival, 2013.
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For info on Secret Language

For information on The Secret Language of Desire electronic literature app for iPads, please visit  https://www.creativecultural.com/meganheyward/?page_id=1497

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For info on Of Day, Of Night

For information on Of Day, Of Night interactive narrative, please visit http://www.creativecultural.com/meganheyward/?page_id=67 and https://vimeo.com/40436931 and hyperrhiz.io/hyperrhiz06/essays/a-four-sided-model-for-reading-hypertext-fiction.html

of day of night still
a map of sorts, an handful of objects, a problem with dreaming
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Secret Language of Desire in Norway for ELO 2015

It’s been a busy couple of weeks as I’ve just travelled to Bergen, Norway for ELO 2015; a major conference and exhibition on Electronic Literature. Secret Language was exhibited as one of the curated electronic literature works, where projects were exhibited in several locations around Bergen, including the Bergen University Library from which these photos are taken. It was a great launch – every artist briefly spoke about their work; and then the conference attendees raced to interact and experience the projects and talk to the artists. It was jam packed, I only had a moment to grab a few photos in between speaking to people and showing the work. A wonderful experience to share the Secret Language of Desire with an international audience – thank you Copyright Agency Career Fund for your support in helping me to attend this important international conference and exhibition!!

Megan Heyward introduces The Secret Language of Desire at ELO artist talk in Bergen, Norway, Aug 5 2015.

Megan Heyward introduces The Secret Language of Desire at ELO artist talk in Bergen, Norway, Aug 5 2015.

Reading and triggering objects and sounds from Secret Language at ELO 2015

Reading and triggering objects and sounds from Secret Language at ELO 2015

Reading and experiencing Secret Language of Desire at ELO 2015

Reading and experiencing Secret Language of Desire at ELO 2015

Crowding around the iPad projects at ELO 2015 in Bergen, Norway.

Crowding around the iPad projects at ELO 2015 in Bergen, Norway.

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Background to Secret Language on Authoring Software

New media pioneer Judy Malloy kindly asked me to write about the background and development of The Secret Language of Desire for her July issue of Authoring Software – you can read it here.

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Secret Language app launch, Sydney, June 14 2015.

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